Unsold Postcard Grabbag lots from my auction that closed January 10th are now on sale in my store! No bidding ~ buy them NOW at 50 cents per lot, first come, first served. All lots have 4 cards each, scanned on both sides!
The first time Sumner McKane mentioned publicly he was making a movie about old postcards, someone in the audience groaned, “Oh, no.” McKane could only laugh. He understood.
A filmmaker, musician and historian, he was underwhelmed with the idea himself. He only agreed to spend time with the collection of early-20th-century black-and-white postcards as a favor to a friend at the Penobscot Marine Museum in Searsport, which owns the collection. He didn’t think it would lead to anything.
Instead, his reluctant dive into the museum’s vast collection of glass-plate negatives from the Eastern Illustrating & Publishing Co. opened a time capsule to a century ago and led to McKane’s third feature-length film, “The Northeast by Eastern.”
These postcards from the Detroit Publishing Company capture the natural grandeur of Switzerland at a time when true color photography was still in its infancy. These pictures of the sublime landscapes and stately towns of Switzerland were created using the Photochrom process, a technique for applying color to monochrome images with nuance and precision.
These color postcards of the sun-baked streets and Moorish architecture of Tunisia were created using the Photochrom process, a technique for applying realistic color to monochrome images that predated the spread of practical color photography. They capture the ornate palaces and bustling markets of Tunisia in its first decades as a French protectorate.
There was a booming postcard industry during the war, as soldiers sent their affections home to those they hoped were waiting.
Over the next six months, Newberry Library, Chicago, will take possession of 2.5 million postcards from the Curt Teich Postcards Archives Collection, previously housed at the Lake County Discovery Museum in Wauconda. The collection's centerpiece is the 360,000-card archives of Curt Teich, a company that operated in Chicago from 1898 to 1978 and was the world's biggest printer of advertising and view postcards. Teich photographers took pictures in more than 10,000 towns and cities in the U.S., Canada and 115 other countries.
The collection also includes the Leonard A. Lauder Raphael Tuck
Collection of more than 35,000 postcards known as oilettes; the John I.
Monroe Collection of postcards printed by Paul Finkenrath of Berlin; and
the James R. Powell Route 66 Collection
After decades of stewardship, the Lake County Forest Preserve District is in the homestretch of transferring ownership of its world renowned Curt Teich Postcard Archives collection to a new home.
These postcards of the capital (then known as Constantinople) of the Ottoman Empire at the close of the 19th century were produced using the Photochrom process. The technique applies layers of artificial color to a black and white image with surprisingly realistic results.
These vibrant snapshots of daily life in America in the 1900s were popular Photochrome postcards – created by blending photography and early colour printing techniques. From the Lucky Strike billboards to the Chicago railway track that opened up travel to all, these tourist souvenirs were printed in their millions each year and offer a detailed journey into the past. They were taken in a decade when the United States was on the cusp of its Industrial Revolution bouncing back from the depression of the 1890s. Immigration was beginning to boom and while the country was still largely rural, pioneers such as JP Morgan and Andrew Carnegie were starting to shape history.
These postcards of Belle Époque Venice were printed by the Detroit Publishing Company using the Photochrom process, a time-consuming and exacting technique by which convincing layers of artificial color are applied to black and white photos and reproduced.